In one of the first English-language studies of Korean cinema to date, Kyung Hyun Kim shows how the New Korean Cinema of the past two decades has used the trope of masculinity to mirror the profound socio-political changes underway in Korea. Since 1980, the country has transformed from an insular, authoritarian culture into a democratic and cosmopolitan society. The transition ...(展开全部)

In one of the first English-language studies of Korean cinema to date, Kyung Hyun Kim shows how the New Korean Cinema of the past two decades has used the trope of masculinity to mirror the profound socio-political changes underway in Korea. Since 1980, the country has transformed from an insular, authoritarian culture into a democratic and cosmopolitan society. The transition ...(展开全部)

From the author of The Last Mughal , an enlightening book that explores with remarkable compassion and expansive insight nine varieties of religious devotion in India today. In portraits of people we might otherwise never know William Dalrymple distills his twenty-five years of travel in India to explore the challenges faced by practitioners of traditional forms of faith in c...(展开全部)

In Borderland Dreams June Hee Kwon explores the trajectory of the “Korean dream” that has fueled the massive migration of Korean Chinese workers from the Korean Autonomous Prefecture of Yanbian in northeast China to South Korea since the early 1990s. Charting the interplay of bodies, money, and time, the ethnography reveals how these migrant workers, in the course of pursuing t...(展开全部)

In Borderland Dreams June Hee Kwon explores the trajectory of the “Korean dream” that has fueled the massive migration of Korean Chinese workers from the Korean Autonomous Prefecture of Yanbian in northeast China to South Korea since the early 1990s. Charting the interplay of bodies, money, and time, the ethnography reveals how these migrant workers, in the course of pursuing t...(展开全部)

威廉．達爾林普(William Dalrymple) 蘇格蘭人，於佛斯海灣﹝Firth of Forth﹞的海邊長大。劍橋大學畢業後，曾為《獨立報》﹝Independent﹞專欄作家。年方二十二歲，便出版了暢銷又備受好評的《在薩那都》﹝In Xanadu﹞，此書於一九九○年獲得《約克郡郵報》﹝Yorksire Post﹞的最佳處女作品獎，以及蘇格蘭藝術協會春季圖書獎；並曾入圍John Llewelyn Rhys紀念獎。一九八九年他遷居德里，在當地居住四年，位本書蒐集資料並為《星期天通訊》﹝Sunday Correspondent﹞、《觀察者》﹝Spectator﹞、《觀察家》﹝Observer﹞以及《週日時報》﹝Sunday Times﹞等報紙撰稿。曾獲《週日時報》年度英國青年作家獎。 威廉．達爾林普與藝術家奧莉維亞．弗來瑟﹝Olivia Frase...(展开全部)

An essential analysis of cinema from one of the great figures of French philosophy The cinema, like language, can be said to exist as a system of differences. In his latest book the acclaimed philosopher Jacques Rancière relates cinema to literature and theatre. With literature, he argues, cinema takes its narrative conventions, while at the same time effacing its images and it...(展开全部)

This book explores the border zones between life and non-life as represented in cinema from the end of the nineteenth century, when France led the global film industry, to the first decades of the twenty-first century, when world film markets are dominated by Hollywood. Informed by both the Internet of Things and the Parliament of Things, The Cinema of Things examines cinematic...(展开全部)

"The Cinema of Eisenstein" is David Bordwell's comprehensive analysis of the films of Sergei Eisenstein, arguably the key figure in the entire history of the film. The director of such classics as Potemkin, Ivan the Terrile, October, Strike, and Alexander Nevsky, Eisenstein theorized montage, presented Soviet realism to the world, and mastered the concept of the film epic. Comp...(展开全部)

这是韩国电影史上第一本关于韩国电影史的著作，由多位影评人、电影史学家、电影学者撰写而成，由韩国电影振兴委员会编辑出版。当时被称为韩国电影史上的一大盛事。此书同时出版了韩文版和英文版（可在韩国电影振兴委员会的主页上观看英文版pdf部分内容：http://www.koreanfilm.or.kr/KOFIC/Channel?task=kofic.user.eng.d_publication.command.PublicationRetrieve1Cmd&Gesipan_SCD=000000000000000004）。中文版权被上海译文出版社买下，由韩国电影专家小韩（http://xiaohan0221.blog.sohu.com/）担任翻译，预计2010年出版。